76. Why it’s worth writing short stories

Do you suffer anxiety about whether your writing is any good? If you don’t, you’re probably not doing it right. You get lots of advice and encouragement when you start writing. Most of it is well-meaning. Much of it is wrong – at least for you. There’s one thing I wished I’d known when I started. Of course, like most well-meaning advice, it may not be valid for you. But my advice is write and publish short stories, even if your main interest is novels.

Short story Stephen King

Why? Many reasons, but these were the main ones for me:

  • Polish your craft.
  • Boost your confidence
  • Measure your ability.
  • Build a track record.

Polish your craft

Short stories are short. You can write them faster than a novel and revise them more easily. It’s a simpler apprenticeship to serve.

Boost your confidence

Publishing and selling a novel is hard. It takes lots of work, and lots of luck. Mostly, you get negative feedback from agents and publishers (if you’re going the conventional route) or reviewers and sales (if you’re self-publishing). It can dent even the toughest hide and the most humble spirit. Self-doubt eats away at your confidence. It doesn’t have to be like that. It’s easier to publish short stories than novels – there are many more outlets, both print and on-line magazines. The website Duotrope lists 5,821 markets. There will almost certainly be one that will publish you. Nothing beats the boost of seeing yourself in print. If you’re just starting out, these magazines accept over half of the work submitted to them.

Measure your ability

Pick your market. Different outlets for stories have different acceptance rates.  I didn’t know about acceptance rates when I started out. Until 2015 I was unwittingly submitting stories to prestige magazines that accept less than 1% of everything submitted to them. No wonder I wasn’t getting published. No wonder I was dejected and felt talentless. In 2015 it all began to change when I got hold of data on acceptance rates. Duotrope  publishes these figures. Armed with them, I can target where I sent my stories.

place in market

Last year, I had stories accepted by Alfie Dog and The Opening Line. Not so hard to do since both accepted around half the material sent to them. I got bolder. Gold Dust, with an acceptance rate of 12.5%, accepted a story, Zhuang Zhu’s Dream, about a man who has memories he believes are not his own. Then this year Structo accepted Interstices, a slipstream kind of story, to be published in issue 16. At the time of submission, Structo accepted only 3.85% of the material submitted, and currently the number is (an impossible) 0%. Now I can place myself in the market, so I’m no longer anxious about whether I’m any good as writer.

Build a track record

The publications give me a track record. Now, when I submit book manuscripts to agents and publishers, I can claim some credits attesting to my ability. The outlets with 50% acceptance rates don’t help this, but the two below 20% do.

Disappearance

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PHOTO PROMPT © Ted Strutz

Marnie disappeared slowly. So slowly, I didn’t notice her going. Like any good barkeep, she listened – absorbing tales of sorrow, protestations of innocence, and howls of outrage. Listened and never commented – just faded until she vanished into the mahogany bar top, the racked bottles, and nicotine-yellowed walls.

There was theatre to it. She bent emotion around her until she became invisible. Theatre and magic make us see stuff that’s not there. And not see what is. I miss Marnie.

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – Abstract

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PHOTO PROMPT © Janet Webb

I watch. The brush is poised. And then he moves. From the shoulder, leaving a row of lines on the parchment that summon feeling before my mind understands. I smell the stone ichor of rain, and sense the blunt endurance of a gaunt herd. Beneath his brush, a world begins to breathe.

“Though I saw, I don’t understand. How do you do it, maestro?” I ask.

He smiles that infuriating smile of his. “Rather, ask how you did it. I only made a few squiggles. Your mind made the meaning.”

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here.

 

75. The Sunday Times Prize – tempting the muse with breadcrumbs

It’s worth £30,000 to the winner. At £5 a word for a 6,000 word story, the Sunday Times EFG Award is the richest prize in short story writing. Hilary Mantel was only a runner-up in a previous year’s competition. So you might say it’s hubris for a tyro writer to enter such a competition. And you might be right. But I’m doing it anyhow.

Partly, I’m doing it because I can. Last year, I would not have been eligible. Entrants must already have been published by an established house or magazine. This time last year I hadn’t reached that mark.

Partly, I’m doing it because there’s a story I’m struggling to tell, and the competition gives me a spur to doing it. Assuming (reasonably) that I don’t win, at least I will have written the story.

The idea responds to my plea for new stories about post-Brexit Britain. My first attempt at writing read so much like a rant that one of my writing friends didn’t even realise it was supposed to be a story.   So I tore the thing apart and started again. This time, I created a version with which I’m happier.

Land Girl is a tale of Margaret and Malina. Margaret is a British pensioner with traditional working class values, but also a strong streak of prejudice against the immigrants who she feels threaten her way of life. Malina is a Roma immigrant and Margaret’s carer, threatened by racist abuse. Margaret loves music and dance. Malina’s singing is beautiful. Finally, this brings them together. Allie, a community activist, is the catalyst for challenging Margaret’s attitude to immigration. The political rant is now buried in one small section and narrative is now foregrounded.

Alright as far as it goes – a tale of a decent person overcoming prejudice and recognising the humanity of a foreigner. But it’s not a winner. Friends’ comments have helped to improved and polished it (thanks Derek and Paula).  I’ve checked that there is a narrative spine that drives the story forward, and short ribs of added tension that add depth – a technique I described in an earlier post. I’ve looked for opportunities to create repeating motifs that reflect each other in the hall of mirrors. None of this is enough.

Cordoba

What else can I add?  I wonder.  I know I need another narrative axis at right angles to the first. A hall of mirrors may not only reflect, but also distort and change perspectives. I’m still searching for what that right angled theme may be.  My intuition is that it may be to do with music.  Or with land and maps. Nothing is gelling yet. You can’t always tempt the muse down with breadcrumbs.

Friday Fictioneers – Leaving

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PHOTO PROMPT © Jan Wayne Fields

Cranes march across the horizon like a slur of notes, ending in a deformed quaver. The last note might be somehow iconic, but the sun-dancing waves create a mask of light and Pascal is unable to recognise the piece. He clutches the scuffed violin case to him, lest it and his fortunes tumble into the pitching water. The ocean is very big. Yet he is also very big.

Chattering passengers crowd the rails, counting down their time to arrival. Pascal’s clock continues forward, the days elongating since leaving Elise.

His heart breaking, he shuffles forward to be processed.

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here.

Friday Fictioneers -The Ambassador

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PHOTO PROMPT © Sandra Crook

The car jolted on a pothole, and the Ambassador feared he might lose his excellent lunch. The trouble with the poor, he thought, is they have such bad roads.  He made a note to work the conversation over dinner.

Hernan, riding shotgun in the front, fretted. “Why aren’t you taking the expressway?”

“Calm yourself,” said Simon. “We’ll return that way, so the Ambassador gets to his cocktail party. The route out offers sensuous contact with poverty. If he doesn’t get shit on his shoe, he won’t feel the adventure. And without that, he won’t fund the project.”

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here

Friday fictioneers – Parting

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PHOTO PROMPT © Jan Marler Morrill

The afternoon sprawled like a lazy dog in the little town. Sweat trickled down my back as I raced from the sun-scoured piazzas to the shade of the whitewashed alleys. She was not there. Had I imagined her, loping tall and bronzed into the taverna, swinging a leg over the chair beside me? Was our perfect closeness a dream?

At the harbourside, the taverna keeper passed me a message scrawled on a scrap of paper.

Some moments are so perfect they deserve to be protected from life’s corrosion.

Love

Philippa.

The ferry hooted as the mooring ropes fell away.

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here

 

Friday fictioneers – The Fury

 

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PHOTO PROMPT © Rochelle Wisoff-Fields

The heavy door blew-in. A fury of snow roiled with Olafur inside. He forced shut the door, and the wind howled its frustration.

“Come in neighbour,” said Jon, pouring a steaming cup of coffee. He waited while Olafur shucked off his greatcoat and cut the rime from his beard with a knife. Then he asked. “What in Odin’s name possessed you to cross the glacier in such a storm?”

Olafur warmed his hands around the cup, eyes rolling. “She’s back. She’s behind me.”

Jon turned to the opaqued window, where Olafur’s stare rested. Against the whiteness, a diffuse light mounted.

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here

74. Granddad! What have you done?

We have never needed cultural workers more in Britain. We no longer know who we are. Three days ago, the UK voted in a referendum to leave the European Union. It was not the outcome I had voted for. But now we must get on with what comes next.

The result was many things, and all of them challenge the political order that has characterised the country since the Second World War. The young voted conservatively for the status quo, while the old voted radically to leave the EU. The rich voted for Europe, the poor voted Out. Scotland and Northern Ireland voted Remain, and England and Wales voted Out. The political class got a thorough kicking in England and Wales. Most of the political class had trusted that dire warnings of economic catastrophe would frighten people away from going it alone and leaving. After all, the tactic had worked in the Scottish independence referendum two years earlier.

angry granddad

But voters, particularly those over 45, delivered a rebuke. It’s not economy, stupid, they said. It’s immigration. For many, the referendum wasn’t even really about the EU. It was a cry of anger and outrage against the politicians who weren’t listening to them. The Prime Minister has already been toppled, and the position of the Leader of the Opposition is under threat. It’s not clear today who’s running the country.

The young, on the other hand, voted overwhelmingly to remain in the EU. And they’re mightily pissed off that the generation who benefitted from post-war prosperity, free health care, free university education and good pensions was now denying them the same opportunities. The country is fragmented, almost down the middle. The Britain that woke up to the result on the morning of 24th of June is a country profoundly uneasy with itself.

These facts are enough to make it clear that culture is at the heart of what happened. And, equally, culture is at the heart of what must come next. Because the result poses the immediate question of what it now means to be British – what kind of country do we want to become?  And here is the problem. Nobody on either side of the referendum campaigns had bothered to articulate an answer to this question. They didn’t even try to explore it.

I’m struck by how different this is to the Scottish referendum on independence two years earlier. Though politicians kicked off the debate in Scotland, the people took it out of their hands. Writers and artists, thinkers and musicians debated what it meant to be Scottish and what it meant to be British. Scotland began that campaign as a tartan-wearing, bagpipe-playing, ship-building Ruritania, descended variously from Walter Scott and the early twentieth century labour movement. It ended the campaign with a new and confident sense of itself as a modern, outward-looking socially progressive European nation.

England experienced no such political education or cultural ferment in the course of this referendum. The rappers and playwrights, poets and thinkers whose job it is to listen to the rhythms of the street never got heard. Politicians’ rhetoric and dodgy statistics drowned out any Scottish-style self-examination. The culture workers never got into harness.

And the hopes of the people who voted for Britain to leave the EU seem destined to be dashed. “Now we’ll get a better life and good working conditions,” I heard one man say. “A better health service without foreigners who haven’t paid-in,” said another. “Now we can stop the Muslims coming here,” was heard too.

Of course, this anguish has nothing much to do with the EU. The democratic deficit these voices are pointing to is in Westminster, not Brussels. They can’t get a well-paid job or a decent place to live or a speedy hip operation in hospital because successive British governments haven’t invested enough in these things. But the politicians aren’t listening because it’s always easier for them to scapegoat the foreigner. When a people are searching for identity, hatred and fear are always dangers.

The hopes of those who voted Leave are not, in the main, expressions of visceral racism. They have more to do with an ageing generation who don’t recognise the world in which they now live. What they express is anxiety about their status. This explains the seeming paradox of the old being radicals and the young being conservatives.

We have to put in some serious cultural work, and debate who we are and who we want to be. It isn’t impossible to make the referendum result the beginning of a real and progressive change. But only if we write ourselves a new story. If the politicians aren’t listening, it lies in our hands to make new politicians. If we don’t do these things, Britain risks becoming a very nasty, unequal, small-minded place. This is a trend with echoes in many other parts of the world.

And, when I say Britain, it isn’t even clear there’s going to be a Britain to answer these questions. Scotland and Northern Ireland both voted Remain. The Scottish government has warned that Scotland was being taken out of the EU against its will by the English.  In Northern Ireland, the nationalist community is arguing for reunification with the Republic of Ireland.

The need for a new story has never been greater. Oh, Grandad! What have you done?

Friday Fictioneers – Journeying

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PHOTO PROMPT © Rich Voza

I’m going to my death. What am I doing?  Patricia wondered. I’m only an ordinary doctor. What do I know about treating refugees?

The passenger in front abruptly lowered his backrest, compressing Patricia’s knees.

My legs are too long to be doing this, she thought. Numb. Her legs were numb.

Numbness washed her mind.

“Beef or chicken?” The attendant’s banal question and the squeak of his trolley was numbing. On the move, cares melt away. There is neither past, nor future, just the speeding instant of the present.

Patricia relaxed, as Syria sped towards her at 800 kilometres per hour.

 

Friday fictioneers is a weekly challenge to write a 100-word story in response to a photo prompt. You can find other stories here.