203. Will AI really kill us all? 

They have an acronym for it: P (E)—the Probability of Extinction (sometimes called P Doom). It hit the news again this week when Jacob Coxon, a researcher from the AI firm Anthropic, put the P (E) of the technology wiping out the human race at 10% https://www.theguardian.com/technology/2026/sep/09/ai-superintelligence-risks-warnings-scientists-politicians

What should we make of this? The first thing to say is that this is not a probability like the risk of dying in a car crash (around 1 in 100 over a lifetime in the UK) or from a meteor strike (1 in 700,000). We can estimate these probabilities because there’s a lot of data from past such events, and because we understand the processes involved.

There is no data behind the estimates of AI killing us all. There are no similar past events, and our understanding of the processes involved is sketchy. These are not probability estimates but scenarios, stories if you like.

But if these warnings are coming from people in the industry, shouldn’t we assume they know what they’re talking about? Maybe, but maybe not. It depends whether they’re speaking from within a corpus of expertise. When the team building the first atomic bomb in Los Alamos during the Second World War recognised, there was a chance the explosion could ignite the atmosphere, this was a potential risk indicated by the physics. The risk from AI comes from no such body of science. If anything, it’s an older body of fear: the fear of the End Days. It also needs to be said that invoking awe of the power of the technology probably does no harm to the prospects for Anthropic’s imminent stock market floatation (expected to be in the region of one trillion dollars), though this may be a cynical suggestion.

The term Artificial Intelligence is a misnomer. Chat-GPT and Claude and other AIs are not intelligent—they’re pattern recognising machines. This is what makes them so good at solving problems, like how proteins fold or how to construct sentences from prompts. They’re not smart (albeit not as smart as us yet) because that’s not what they do. They can find patterns that humans don’t see, and they can do it very fast. But this is not thinking.

For AI to live up to the Terminator threat, we’d need a different kind of machine—an Artificial General Intelligence (AGI), one that can think and act like (or better than) a human.

Many teams are trying to build an AGI, but nobody’s quite sure what the term means https://www.newscientist.com/article/2432005-what-is-artificial-general-intelligence-and-is-it-a-useful-concept/, or even whether it means anything at all. There’s no scientific consensus on what intelligence is, even in living things. Nobody is clear how soon, if ever, an AGI will be built. The 10% P (E) scare looks like hokum. This is not to say there is no threat, but we simply can’t say how big or when.

To become a Terminator, AI would need to be able to think, form plans antithetical to ours, carry them out, and evade counter-measures. None of this is on the immediate horizon. Sure, as a writer, I could invent lots of scenarios. But it doesn’t make them real.

Does this mean we shouldn’t worry? No, there’s lots to worry about, but it’s not the stuff making the headlines:

  • UNEMPLOYMENT. AI is already threatening millions of jobs, from call-centres to radiographers, from actors to lawyers.
  • SERVICES. Power-hungry data centres may threaten electricity supplies to ordinary people.
  • MISINFORMATION. In addition to deep-fakes, AIs are prone to “hallucinate” (make stuff up). The spread of chatbots use may also spread this misinformation.
  • INEQUALITY. The technology is being developed by large corporations, concentrating more wealth in the hands of a tiny elite.

If an extinction event is not foreseeably on the cards in the immediate future, the same is not true of accidents, catastrophic and small. As more and more systems (including critical infrastructure) are run by AIs, glitches, outages and sabotage may take them down. As a trivial example, I have a smart hot-water tank that’s supposed to economise by learning my use pattern. I’ve had to take it offline because its learning was rubbish.

Arguably, all the End Days hype is distracting us from the real problem.

Friday Fictioneers – Wet Bulb 30.5

PHOTO PROMPT © Lisa Fox

When the birds began to drop from the sky, it was weird, even spooky, but I didn’t know this was the end of everything. They littered the lawn like drifts of autumn leaves. Fish washed up dead on the shore. And over it all, the punishing dome of stilled, sweltering heat. The forests caught and burned.

Life’s limits are very finely set, you see. At a wet-bulb temperature of 30.5 ° C, we start to die. Those of us with air conditioning lasted longer. Until the power failed.  

It’s been good.

.Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – The Mathematician’s Despair

PHOTO PROMPT © Fields Family

“Prove it,” he said.

“I can’t. But the Ayeye says it’s true.”

He was merciless. “If you don’t understand the machine’s reasoning, you can’t tell it’s correct.”

All I knew was this felt right, but I had no answer.

“If the Ayeye does the grunt work, has the insight, and formalises the proof, but you don’t grasp the meaning, does it even mean anything?”

“Pah! Philosophy!”

“Well, here’s a philosophical question for you: what’s the point of people?”

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Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – Tears of the Gods

PHOTO PROMPT © Rochelle Wisoff-Fields

What do we need the gods for now? Oh, they strut and fume as we tear down their statues and temples. Zeus releases a stream of thunderbolts which fizzle and spark before plopping spent on the carpet. A mist of angels wring their little hands before evaporating. Legba holds a weeping Inti close as they thin and dissipate.

We are the masters now. The steam from our great engines blows across a sun hiding its face in shame.  

If only the rains would come as they used to.

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Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – The Bees Know

PHOTO PROMPT © Dale Rogerson

The flowers are dark, so dark they swallow all light. For weeks, I didn’t notice them, my mind skittering past what seemed misshapen leaves. Only at day’s end, when the dying sun licks them like a craven dog, can you spot them—blood red, nodulated. No insects ever visit these monstrous blooms.

The bees know. I’m certain these are relativistic explosions, slowed to a crawl in our timeframe. We’re under attack. Neither the police nor my MP will listen, not even Mrs. Sanders, who holds that Boris Johnson was the messiah. I’ll gather my evidence. If I’m right, the detonations will slowly fade away.

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Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – Travel

PHOTO PROMPT © Lori Wilson

Albert enjoyed travel. Move 3,000 miles, or ten, and you reached a different place. Well, duh, you might say, but that would be to misunderstand. The places weren’t what Albert craved—palm trees or snow huskies equally a matter of complete indifference. What mattered was the difference—new in a bar where nobody knew his name.

He slid onto the stool in the hotel bar and ordered a sidecar, because that’s what a guy like him drank. The blonde on the next stool eyed him. Tipping his fedora at a rakish angle, he smiled.

“Hiya, little lady.”

“Scram, loser.”

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Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – The First Lady’s Lament

PHOTO PROMPT © Lisa Fox

Memories within memories. Before the war, there was dining and dancing, evenings at the Opera. No, wait—I’m getting confused. The Opera was London—our old life before we took power. But here too we once had parties, I’m sure of that.

Nowadays, there’s politics and war. War is politics conducted by other means, as Clausewitz sort of said. Turns out I’m deliciously good at politics.

Events flap and billow in the gales of history, and we struggle to hold them down.

.Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

202. AI or human?

The witch hunters walk the Earth again, no longer rooting out the devil but hunting the machine. Let’s take an example: Jamir Nazir’s story, The Serpent in the Grove. The story won the 2026 Commonwealth Short Story Prize, and was then accused of having been written with the help of AI. The author denies this.

Certainly. the prose groans under the weight of metaphor it carries.


Sun on galvanise is a cruel instrument. It beats until the roof talks back in a dry moan. The day the grove began to remember, the roof over Vishnu Mohammed’s shack groaned like a drumskin too tight for the heat. Inside, air clung thick as porridge skin: damp earth, woodsmoke, and the sour tang of fermenting cocoa. A soot-blackened lamp hung from a nail. No fan, no bulb, no hum – only the thin light slipping between warped boards and the breath of hills holding their heat like a secret.”


But is this the mark of the machine or the author’s voice? There’s no way to be sure, but there are known “tells” in AI prose.


• Uniform quality and style, together with repetitive phrases and sentences that are similar in length and structure. Human authors tend to write in “bursts” with varying structure.
• Continuity problems. AI may have problems with consistency, Characters, setting, and aplot points may change abruptly.
• Lack of emotional depth. AI may struggle with the nuances and quirks of human emotion and expression.

To these I’d add metaphors that sound metaphory but actually make no sense. An example from the story might be “breath of hills holding their heat like a secret.” Sounds good, but what does that actually mean? However, human authors may also create metaphors that misfire.


I ran the story through a couple of AI detectors, and was less than impressed by the result. GPTZero returned a 100% probability that the story was the work of AI. I listed among the most AI sentences these two: “Vishnu was twenty-five wearing the face of fifty” and “No fan, no bulb, no hum – only the thin light slipping between warped”. The first sentence I found to be one of the more powerful metaphors in the piece, The second is ungrammatical but very human to me,

Copyleaks also set the AI probability at 100%. By contrast, EyeSift put the probability that this was AI generated at 39% (no strong AI evidence).


My own feeling is the story is irritatingly elaborate, but also with a simple thread that’s powerful and haunting in a way that could only be written by a human.

Friday Fictioneers – Calypso

PHOTO PROMPT © Rochelle Wisoff-Fields

It’s hard to remember, but I think it all went tits-up when Grandad took his teeth out. The vicar’s wife shrieked, as if he’d exposed himself, or sunk the gnashers into her ample rump. Grandad, perhaps to be seen to do something, grabbed the picnic hamper and flung it over the railings into the river. The florist swung a punch. Soon, all the wrinklies were one brawling mass.

When the bizzies arrived, they’d surely blame me as the only young ‘un. A pub at the end of the walk sang siren songs of refuge (“Wasn’t there, Guv”). I legged it.

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Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here

Friday Fictioneers – The Scribe’s Scare

PHOTO PROMPT © Sandra Crook

The scribe puts down his stylus and sends the clay tablet for baking. A good day’s recording of the village’s wheat yields, so he allows himself a cup of beer with his dinner.

In the tavern, villagers avoid him. He’s used to that. Scribes are never popular.

Voices at a nearby table rise as the ale flows. “Writing! What’s it good for? Spying on our harvest! And what does that get us?” “Bloody taxes.” “For the bloody king, may Ahura curse him.”

The scribe shivers at the next outburst. “We need to put a stop to all this writing business.”

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Writing seems to have been invented three distinct times. The cuneiform of ancient Mesopotamia and the hieroglyphs of ancient Egypt are well-known, But the third, proto-Elamite from ancient Iran, is shrouded in mystery. One fascinating feature of the Iranian invention is that they gave up writing for 800 years around 5,000 years ago. We can only speculate why. 

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Friday fictioneers is a weekly challenge set by Rochelle Wisoff Fields to write a 100-word story in response to a photo prompt. You can find other stories here